Video and Sound Production - Project 1
Video and Sound Production - Project 1
|| 8/10/2025 – 23/10/2025 (Week 3 – Week 5)
|| BAI ZHUO QING, 0370042
|| Interactive Design / Bachelor of Design (Honours) in Creative Media
|| Video and Sound Production - Project 1
|| BAI ZHUO QING, 0370042
|| Interactive Design / Bachelor of Design (Honours) in Creative Media
|| Video and Sound Production - Project 1
TABLE OF CONTENTS
1. Instructions:
2. Process Work:
Project 1: Audio Dub & Sound
Effects
EXERCISE 1: Audio Dubbing
Task Overview:
Place audio files on timeline and sync it with
video.
Audio track:
- 3 tracks for dialogue, one character, one track.
- 4 tracks for sound effects,
- 3 tracks for ambience sound.
- Edit voice from female to male, male to female, human to cute animal/adult to kid: Premiere Pro → Audio Effects → Pitch Shifter → Semi tones.
- Volume: Dialogue: between -6dB & -12dB, Ambience: below -20dB, Hard sound effects: Depend.
Process
I began this project by opening Adobe Premiere
Pro and importing the raw video clips into the
Project Panel. After organizing all the
footage into labeled bins, I dragged the
selected clips onto the timeline. This
preparatory work helped ensure smooth editing
and precise synchronization.
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| Fig1.1 Process of work |
Since this exercise required recording
dialogue, I recorded all my lines myself
using a computer audio recorder. The video
features three different characters:
- A1 – A man
- A2 – A young woman
- A3 – An elderly woman
To differentiate their voices, I played each
character separately, speaking with varying
tones and emotions based on the character's
emotions in each scene.
Next, I imported the recorded voiceover
files into Premiere Pro and placed them on
separate audio tracks (A1-A3) below the
video track.
Each clip was precisely trimmed to match the
lip movements of the person on screen.
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| Fig1.2 Process of work |
To more clearly distinguish the three
characters, I applied the following audio
effects in the Effect Controls panel:
- For the female vocal (A1), I used a Pitch Shifter (+3 semitones) to raise the pitch slightly.
- For the male vocal (A2), I didn't modify the male voice in A2 because I'm a man.
- For the older woman (A3), I used a Pitch Shifter (+4 semitones) to raise the pitch slightly.
Once the adjustments were made, I used the Audio
Track Mixer to balance the volume of each
character. Dialogue levels were kept between -6
dB and -12 dB to avoid clipping while keeping
the voices clear and prominent.
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| Fig1.5 Process of work |
I then searched for suitable sound effects
(SFX), such as door breaking and door opening.
The source link for each audio file was
recorded in a Google Sheet for easy reference
and backup. After downloading the selected
sounds, I imported them into Premiere Pro and
placed them on additional tracks (A4-A6).
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| Fig1.7 Process of work |
All sound effect levels are fine-tuned to stay
below -20 dB, ensuring dialogue always takes
center stage.
During the mixing phase, I balanced all audio
components—dialogue, sound effects, and
background ambiance. I smoothed out sudden
volume changes and created soft fades between
scenes and ambient sounds.
After completing all the sound adjustments, I
previewed the entire sequence several times to
verify the synchronization between the visual
and audio layers. Once everything was correct, I
exported the final video and uploaded it to
Google Drive.
Final submission
Google Sheets:
Final Video:
👉GoogleDrivelink: https://drive.google.com/drive/folders/1mvJU9ASdgnck58XMQ0mWqCqK9r7UL8l3?usp=drive_link
Work Process-Exercise 2
Project 1 Exercise 2: Sound Shaping
Google Drive link: 👉🏼Here
Week 8
1. Phone call (Parametric
Equalizer)
Since the orc-like voice is the most
complex among the five types, I added a
Parametric Equalizer, Pitch Shifter,
Tube-Modeled Compressor, and FFT Filter
to make it sound closer to the voice of
a beast.
Final submission-Exercise 2
1. Phone call
2. Voice from closet
3. Voice in Bathroom
4. Underground Cave
5. Orc voice
3. Reflection:
Through this process, I realized how
meticulous and time-consuming sound design
is. It requires not only professional
editing skills but also a keen sense of
rhythm and tone.
Incorporating my own voice into multiple characters was both challenging and fun—it helped me understand how sound and sound effects can shape emotional storytelling in filmmaking.
Incorporating my own voice into multiple characters was both challenging and fun—it helped me understand how sound and sound effects can shape emotional storytelling in filmmaking.








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