INTERACTIVE DESIGN - Exercise 1: Websie Analysis
INTERACTIVE DESIGN - Exercise 1: Websie Analysis
|| BAI ZHUO QING, 0370042
|| Interactive Design / Bachelor of Design (Honours) in Creative Media
|| Exercise 1 / Website Analysis
TABLE OF CONTENTS
2. Process Work
3. Reflection
1. Instructions:
2. Process Work:
Exercise 1:
Requirements:
- Website Purpose and Objectives: Evaluate whether they are clearly and effectively communicated to users.
- Visual Design and Layout: Observe the appropriate use of color, fonts, and images.
- Functionality and Usability: Examine the ease of use of navigation, forms, and interactive elements.
- Content Quality: Focus on the accuracy, clarity, and organization of the content.
- Performance and Compatibility: Evaluate loading speed, responsiveness, and cross-device compatibility.
| Fig 1.1 perico.energy |
- The design uses vibrant shades of green, lemon yellow, and orange.
- These colors emphasize themes of nature, freshness, and energy, creating a lively and inviting atmosphere.
| Fig 1.2 perico.energy |
b) Typography
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The font style is clean and modern.
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Large, eye-catching headlines draw immediate attention, while the concise body text font keeps the content readable and prevents visual overload.
| Fig 1.5 perico.energy |
| Fig 1.6 perico.energy |
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Each flavor is represented with a corresponding image, such as lemons, coffee beans, or fruit slices.
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These visuals serve as intuitive cues, helping users quickly connect with the flavor and enhancing the playful brand identity.
| Fig 1.7 perico.energy |
d) Layout
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The page structure follows a logical marketing sequence:
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Main image → 2. Slogan → 3. Product selling points → 4. Flavor selection → 5. Ordering interface → 6. Ingredients → 7. Supporting content.
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While effective, the homepage includes many visual elements (illustrations, decorative graphics, and product renderings).
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The top navigation bar includes clear options such as Products, About Us, Contact, FAQ, Shop All, and Flavors, enabling users to easily access key pages.
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The Call-to-Action (CTA) button (Order Now / Buy Now) is prominently displayed, streamlining the shopping process by reducing the need to search for it.
| Fig 1.10 perico.energy |
b) Interactive Elements
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Forms, including Subscribe and Contact Us, are designed to be simple and intuitive.
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Interactive features such as flavor selection and image scrolling function smoothly, enhancing user engagement.
a) Quality
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The content is clean, concise, and free of unnecessary details.
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Each flavor includes a short description, ingredients, benefits, and flavor profile, making information quick and accessible.
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Selling points such as nutritional information, clean ingredients, sugar-free, and non-GMO are highlighted, reinforcing credibility and building user trust.
b) Relevance
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The information provided aligns directly with what users want to know when evaluating a product.
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The content is well organized and follows a logical sequence: Homepage → Products → Brand Philosophy → Support/FAQ.
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This structure ensures that users can easily find both product details and brand-related information without confusion.
a) Loading Time
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The website loads quickly on standard broadband connections, even though it is somewhat image-heavy.
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Images appear to be optimized, which helps maintain speed.
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A potential drawback is that the use of high-quality product images and decorative graphics may slow loading times on slower or unstable mobile networks, leading to noticeable delays.
b) Responsiveness & Compatibility
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The responsive design is strong: the layout adapts seamlessly to different screen sizes.
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Images and text remain clear without distortion or obstruction.
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The site performs smoothly across major browsers such as Chrome, Firefox, and Safari, ensuring broad compatibility.
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The homepage features a large product display image used as the background, creating a strong “beverage showcase” feel.
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This imagery highlights the product as the central element of the visual experience.
d) Layout
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The structure follows a logical sequence: Main Visual → Company Profile → Product Display → News/Brand → Contact Us.
a) Navigation
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The navigation bar is straightforward, featuring common sections such as Home, About, Products, Production, News, and Contact.
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This structure allows users to quickly access essential areas of the site without confusion.
| Fig 2.5 Royal Beverage |
b) Interactive Elements
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Product pages include a clear “View Product” button, enabling users to explore specific items directly.
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The News section provides a “Read More” button, guiding users seamlessly to full articles.
a) Quality
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The content is concise, well-structured, and avoids unnecessary information.
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Clear sections cover the company’s history, brand vision, product lines, and news/events.
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Frequent news updates highlight the company’s ongoing activity, reinforcing credibility and professionalism.
| Fig 2.8 Royal Beverage |
b) Relevance
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Each beverage in the product showcase is paired with a name, flavor profile, or keynote (e.g., “Bold and Zesty,” “Fuel the Storm”), which helps users grasp the product’s tone and personality.
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While the marketing copy is engaging, the absence of in-depth background, R&D details, or market data may reduce the informational depth.
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This gap could leave users feeling unsatisfied if they seek a systematic understanding of the brand’s foundations and evidence of product development.
| Fig 2.9 Royal Beverage |
| Fig 2.10 Royal Beverage |
| Fig 3.1 Studio Herrström |
a) Color
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The color scheme is primarily neutral, with a black-and-white base.
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A few accent colors are used strategically, ensuring the focus remains on the content and case studies.
| Fig 3.2 Studio Herrström |
b) Typography
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The font is clean and easy to read.
| Fig 3.3 Studio Herrström |
c) Imagery
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The homepage opens with a large image or background combined with concise text, creating a strong brand presence.
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Visuals are minimalist and modern, reinforcing the overall aesthetic style.
| Fig 3.4 Studio Herrström |
d) Layout
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The layout follows a clear sequence: Core slogan → Representative cases → Workflow → News updates → Contact information.
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The design uses rhythmic spacing and sufficient white space, preventing the page from looking crowded.
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Section-to-section flow feels balanced and professional.
3. Functionality and Usability
a) Navigation
The navigation is simple, with clear sections such as Work, About, Contact, and The Echo™.
This straightforward structure allows users to easily find the sections they are interested in.
b) Interactive Elements
The scrolling experience is smooth, and entering a case study requires only a single click, making the process intuitive.
Interaction points are clearly defined, including newsletter subscriptions, social media links, and email addresses, which make connecting with the studio easy and seamless.
| Fig 3.7 Studio Herrström |
4. Content Quality
a) Quality
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The content is concise and well-presented, focusing on case studies with project titles, short descriptions, and links.
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Accompanying images and logos are visually compelling, encouraging users to explore further.
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The workflow section uses a clear three-step structure (Immerse → Create → Impact), which effectively communicates operational principles.
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News, interviews, and awards are included, enhancing credibility and reinforcing a professional tone.
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Overall, the style is consistent and professional, ensuring clarity and engagement.
b) Relevance
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The content provides enough information to attract user interest but remains surface-level.
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There is a lack of in-depth analysis of design concepts, detailed client feedback, or results data, which may leave more research-focused users unsatisfied.
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While visually and narratively engaging, the content may fall short for audiences seeking comprehensive insights or measurable outcomes.
| Fig 4.1 BMW |
a) Color
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The entire website is in beige with a white background.
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This color choice highlights the cars, ensuring they remain the main focal point.
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Strong contrast between text and images further enhances visibility and emphasis.
| Fig 4.2 BMW |
b) Typography
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The font is clean, clear, and easy to read.
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The strong contrast with the background supports readability and user comfort.
| Fig 4.3 BMW |
c) Imagery
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The design relies heavily on large-scale car photography and model images.
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These visuals dominate the presentation, creating a sense of realism and immersion.
| Fig 4.4 BMW |
d) Layout
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The page follows a long scrolling structure, divided into sections.
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Each section features a distinct image, title, and caption.
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The layout style emphasizes presentation and immersion, creating a powerful visual impact.
| Fig 4.5 BMW |
a) Navigation
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The navigation bar includes Home, Models, About, News, Instagram, Facebook, and X, enabling users to move easily between key sections.
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The structure is straightforward and covers both informational pages and external social media platforms.
| Fig 4.6 BMW |
b) Interactive Elements
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The scrolling experience is smooth, with images loading seamlessly and text transitioning naturally.
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Some content, such as “Learn More” links, provides access to more detailed information.
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Interactive features are minimal overall, as the site is primarily designed for viewing rather than active engagement.
a) Quality
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The content covers the history of the BMW M3, specifications of different model years, racing records, and model images.
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While not highly comprehensive, the information is engaging and enjoyable for car enthusiasts.
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Technical data such as power output, speed, and acceleration times are clearly presented, appealing to users who value precise performance details.
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The content style is narrative and illustrative, which keeps it interesting but less structured.
| Fig 4.8 BMW |
b) Relevance
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The information is well-suited for casual readers and automotive enthusiasts seeking quick insights into the BMW M3.
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However, as an unofficial site, users may need to verify the accuracy of data sources independently.
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The lack of interactive or dynamic update mechanisms (e.g., comparison tools, data updates, or filtering) reduces its usefulness for users seeking deeper engagement or systematic research.
| Fig 5.1 Mirko Romanelli |
a) Color
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The primary palette is neutral, built on a sharp contrast between dark gray and white.
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This creates a clean, minimalist, and striking visual tone.
| Fig 5.2 Mirko Romanelli |
b) Typography
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Text use is minimal, ensuring focus remains on the visuals.
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The simplicity of the font supports readability and aligns with the minimalist style.
| Fig 5.3 Mirko Romanelli |
c) Imagery
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Large images dominate the design, giving each work a strong sense of stage presence.
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The imagery becomes the central storytelling element, with text used sparingly as support.
a) Navigation
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The top navigation is minimal, with only Home, About, Contact, and Works.
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This simplicity provides a clear and straightforward user path, reducing cognitive load.
b) Interactive Elements
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Scrolling and interactive animations are subtle, contributing to a smooth and elegant user experience.
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Page transitions and case study navigation are fluid.
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Both images and text are clickable, leading users to deeper work pages.
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User guidance is present but gentle, ensuring usability without overwhelming interaction demands.
a) Quality
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The content mainly includes the project name, brief description, images of the work, and publication date.
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It is concise and precise, avoiding unnecessary detail.
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Each case highlights the design concept and formal beauty rather than relying on lengthy text.
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The About section also adopts concise language to express the design philosophy.
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Overall, the style is consistent, professional, and visually oriented.
| Fig 5.7 Mirko Romanelli |
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